To change the language of this page please select below:
Ancient Roman Ancient Greek Georgian
Influenced by science, exploration and world affairs, the design and materials used in fine jewellery are a fascinating reflection of history, as much as a testament to the skill of the craftsmen who created it.
Greek 8th BC-600 AD
The ancient Greeks excelled in intellectual and artistic practises, and the creation of jewellery was no exception. Greek jewellery was produced not only in Greece as we know it today, but also throughout Asia Minor (modern day Turkey), and Greek city settlements in areas such as Sicily and southern Italy.
Roman 9th BC-5th AD
The Roman Empire was established in 27 BC following decades of war which eventually saw Octavian become the first emperor and take the name ‘Augustus’. During this time, the use of jewellery as a form of personal adornment became increasingly popular.
The Saxons wore jewellery, including brooches, beaded necklaces and bracelets, made from gold, silver, bronze and copper. These adornments were worn to show their wealth and rank. Much Saxon art and jewellery were influenced by central Europe, in what is now Germany.
The Vikings made their jewellery from a variety of materials including precious metals such as silver and gold, iron wires, natural fibres, precious gemstones, glass, resin and amber. The Viking craftsmen created jewellery rich in geometric and stylised animal design in intricate filigree and repoussé work.
Jewellery design during this period mirrored the rapid changes in society and became more ornate and elaborate as engraving, goldwork and enamelling techniques improved. Many of the skills came to England from Europe where the renaissance was ongoing and inspiring jewellers.
The Medieval Period, known also as the Middle Ages or Dark Ages lasted from the 5th to the late 15th century. Stretching for one thousand years, it began with the fall of the Western Empire and extended into the beginning of the Renaissance and the Age of Discovery
It was an era that saw much advancement in the Western world, and this included jewellery. New fashions emerged, such as the adornment of pendants, and new skills were developed which led to goldwork becoming more intricate and ornate.
The Stuart era was a time of upheaval and instability, with the civil war between Crown and Parliament culminating in the execution of Charles I and Oliver Cromwell's republic. The crown was restored with the coronation of Charles II.
Jewellery from this turbulent period, which included the French and American revolutions as well as the invention of the steam engine, is typified by clusters of precious stones, closed back settings in silver and gold, and parures - sets of matching pieces.
This period begins with romantic Early Victorian engraved lockets and brooches, continues with mid Victorian 'mourning' jewellery following the death of Prince Albert and closes with late Victorian sapphires, amethysts and peridots set into star or crescent forms and symbolic designs.
Art Nouveau 1890-1910
Designs influenced by nature and free-flowing forms typify Art Nouveau jewellery. Enamel becomes widely used. Renée Lalique creates some of the most recognised jewellery of the time.
Belle Époque 1895-1914
The Belle Époque era stretched from 1871 with the end of the Franco-Prussian war to 1914 and the outbreak of World War I. “The Belle Époque” French for “Beautiful Era” was so named in retrospect when it began to be considered a golden age of history, characterised by optimism, economic prosperity
Platinum becomes scarce due to the war and coloured golds come back into the market after decades of platinum and other white metals dominating. Design becomes more three dimensional and takes on a more patriotic feel