The majority of items can be re-sized free of charge.
Rings are one of the most powerful and evocative pieces of jewellery. In its most rudimentary form, a ring is a simple band, composed of any material from bone, wood, glass to precious metal, which encircles the finger.
Rings are worn not just for personal adornment and displaying wealth and status, but also for a number of symbolic reasons including a statement of love, religious and superstitious belief, providing proof of identity and also marking births and deaths.
Finger rings trace their origin back the ancient world and each civilisation created specific styles which incorporated motifs and designs particular to their cultural identity. For example the ancient Egyptians wore signet rings often in the form of a scarab beetle or the sun which were motifs important to their society; also rough gemstones such as rock crystal and amethyst were carved and pierced through with gold wire and rotated around a hoop.
Rings are often seen as a symbol of love, with the never-ending circle denoting the infinity of sentiment. This concept was first invented by the ancient Greeks; it was however during the Roman period, that rings were formally introduced as part of the marriage ceremony.
Berganza’s collection of ancient, antique and vintage rings encompass a profusion of varied designs, from complicated ornate rings through to simple dainty rings, every single one unique and hand crafted.
Art Deco aquamarine and diamond ring. Set to centre with a rectangular emerald-cut natural aquamarine in an open back claw setting with an approximate weight of 16.66 carats, flanked either side by two rows of round eight cut diamonds in open back grain settings, twenty four in total with a combined weight of 0.80 carats, further set with twelve square step cut diamonds in open back rubover settings with a combined weight of 0.60 carats. The total approximate diamond weight is 1.40 carats, to an impressive dress ring featuring curving corner claws and polished borders, an open gallery with chenier detail and open angular backholing, leading to raised integrated shoulders and flowing through to a solid D-shape shank. Tested platinum, circa 1920.