Description
Early
rose cut diamond set eternity ring, circa 1780. A full
silver and
gold eternity or ‘keeper’ ring composed of twenty five round rose cut
diamonds in silver topped gold
cut down settings with an approximate total weight of 0.50
carats, and approximately 2.1mm in width.
Ref: 16826
Early rose cut diamond set eternity ring, circa 1780.
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OR
CARATIn reference to gemstones, a unit of weight, abbreviated 'ct'. 1 carat is equal to 0.2 grams.
In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera. Also abbreviated as 'ct'.
Originally derived from the carob seed, called quirat in Arabic, a seed of naturally uniform weight.
ROSE CUT
A method of cutting stones dating from the mid-seventeenth century. The stone has a flat base and rises to a faceted pointed top. The diamond is cut with 24 triangular facets in the shape of a hemisphere. In all seven principal variations of the rose cut the facets are hexagonally arranged and the base of the stone is flat.
DIAMOND Diamonds have been prized for their unique physical attributes for millennia. Formed of crystallized carbon, they are the hardest substance on earth. It is unsurprising then that diamonds have long been the symbol of strength, invincibility and eternal love.
The first significant source of diamonds was India, more specifically a region known as Golconda. These diamonds are particularly prized for their lack of impurities, resulting in colourless diamonds of supreme clarity and brilliance. Many of the world's most famous were found in the Golconda mines, including the Hope diamond and the Koh-i-noor.
From India diamonds were carried along the Silk Routes of Central Asia, through Turkey and thence on to Europe. It was during this time that Venice became a major diamond trading centre, with Bruges and, later, Antwerp at the northern end of the route. India remained the primary source of diamonds until the eighteenth century, by which time the mines there had been largely depleted. Rather fortuitously, around the same time diamonds were discovered in Brazil. This source, however, was short-lived, and ran out in the mid-nineteenth century.
But yet again, a new source immerged to replace it, this time one of much more significant supply. In 1866 a child in South Africa found an unusual looking stone, which turned out to be a twenty one carat rough diamond, now known as the ‘Eureka' diamond. Shortly thereafter, in 1869, the discovery of an 83.5 carat diamond-the ‘Star of South Africa'-confirmed the significance of the deposits.
The now famous DeBeers Company, founded by Englishman Cecil Rhodes, controlled all of the diamond deposits in South Africa from the time of its establishment in 1888. And so it came to pass that London became the world's rough diamond trading centre, as all stones passed through his London offices, while cutting carried on in Antwerp, and later Tel Aviv and New York. Today South Africa remains a major source of world diamonds, joined in the twentieth century by Canada, Australia and Russia, which helped to break down the DeBeers monopoly.
Though most people think of diamonds as colourless, diamonds can form in most any colour of the rainbow, including black.
GOLD
A metallic element which is the most ductile and malleable of all metals, and impervious to corrosion, thus making it ideal for use in jewellery. Pure gold is yellow in colour. It is usually mixed with other metals, such as copper and silver, to create an alloy, such as white gold or rose gold. The unit of measurement used to express the percentage of pure gold in the alloy is the carat, for example '18 carat gold'.
SILVER
A metallic element which is malleable and ductile, and white in colour, making it ideal for use in jewellery. It is usually mixed with copper to improve its hardness.
CUTDOWN
A method of setting a gemstone by which a strip of metal surrounding the stone (or collet) is raised at intervals by narrow vertical strips of metal in order to lend it further strength. This technique is typically seen in jewellery of the eighteenth and nineteenth centuries.